Moderated by IDA Board Member Stephen Nemeth of Rhino Films, our panel of veteran non-fiction producers will discuss what to expect when producing a doc and how a successful producer gets the entire production team to deliver their best.
Seminar
The Fair Use Doctrine allows for copyrighted materials to be used without permission or payment—under certain circumstances. But what are these circumstances? How is fair use determined? What is the impact the Digital Millennium Copyright Act and its exemptions on documentary filmmaking? And how does using copyrighted material under Fair Use impact documentary filmmakers?
What are the ethics of using Deep Fakes to anonymize sources in non-fiction media? What are the layers of consent that require consideration? What are the futures, the risks, and the opportunities of these types of manipulations? What strategies can non-fiction media makers (journalists, documentarians, and artists) implement to navigate the complex landscape of these technologies?
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
Immersive media vibrates embodiment. It allows the viewer to dissolve into dimensional narratives, making experiences and bodies pliable. The introduction of VR, AR, and interactive exhibitions into practice has given nonfiction media makers new tools to tell expanded narratives. In turn, these same tools, with their capacity to innovate, strengthen the need for accessible storytelling. The disabled community, in particular, calls for a radical restructuring of pre-existing frameworks, from inclusive asset libraries to cripped (accessible) workflows and haptics.
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
In this panel, moderated by filmmaker Charlie Shackleton, representatives from an array of archives will discuss these challenging issues, while also highlighting the ways in which archives can serve the independent filmmaking community.
A very small number of film festivals seem to hold an enormous amount of sway over a film’s sales and distribution prospects, as well as the filmmakers’ chances at creating a sustainable living through filmmaking. This perception drives many filmmakers to pin their hopes on just a handful of market-driven festivals that are most important in their region, whether it’s North America (where Sundance looms large), Europe (Cannes, which accepts very few documentaries), Asia (A-list festivals like Busan or Singapore) or elsewhere. In reality, there is a vast ecosystem of film festivals that can all contribute to the healthy life of a documentary film project, and distribution that doesn’t rely on the catalyst of perceived film festival success.
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
Can film advance and energize Black Women’s Wellness? If so, how?