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Here's What Really Happened

No tweeting. No press. No industry. Filmmakers-only conversations revealing personal insights into the art and business of documentary filmmaking.


“Here’s What Really Happened” are signature sessions from IDA's biennial Getting Real Conference that began as a filmmaker-led solution to combat the lack of transparency that continues to plague the community. These intimate conversations allow filmmakers to speak openly about what actually happened in the production, sales and distribution life of a film. The rules are, everything said in the room, stays in the room. Our goal is to create a safe space for discussion that allows filmmakers to have frank, meaningful discussions without the influence of industry in the room. We believe that one of the greatest resources for a filmmaker is another filmmaker.

In building a more knowledgeable and transparent community together, IDA tours “Here’s What Really Happened” sessions to various festivals and conferences around the world. These private conversations have focused on security/surveillance, sales agents, festival strategies, fact-finding, ethics, work/family life balance, truth-seeking in production, and other themes.

Learn what really happened behind-the-scenes in an upcoming session. It’s personal, it’s intimate, let’s get into it.


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Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
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Rectangular computer graphic of a white and black Oculus quest 2 VR headset over a blue background with crystalline star objects scattered in the frame. Superimposed over the image is a white curb cut diagram. The whole image is treated with artificial grain.
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Immersive media vibrates embodiment. It allows the viewer to dissolve into dimensional narratives, making experiences and bodies pliable. The introduction of VR, AR, and interactive exhibitions into practice has given nonfiction media makers new tools to tell expanded narratives. In turn, these same tools, with their capacity to innovate, strengthen the need for accessible storytelling. The disabled community, in particular, calls for a radical restructuring of pre-existing frameworks, from inclusive asset libraries to cripped (accessible) workflows and haptics.
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A globe sits on top of a computer keyboard with a blue key that reads "Accessibility"
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Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
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Rolls of film lay out on a table.
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In this panel, moderated by filmmaker Charlie Shackleton, representatives from an array of archives will discuss these challenging issues, while also highlighting the ways in which archives can serve the independent filmmaking community.
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A man sits in a beige button up in a chair in front of greenery. In front of him hands and arms clasping, as if they are slating on a movie set.
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Join us for a candid conversation with Anaïs Taracena, director and producer of El Silencio del Topo ( The Silence of the Mole, 2021), the award-winning documentary about a journalist who infiltrated the brutal and repressive government of Guatemala in the 1970s. Taracena, a self-trained filmmaker
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A very small number of film festivals seem to hold an enormous amount of sway over a film’s sales and distribution prospects, as well as the filmmakers’ chances at creating a sustainable living through filmmaking. This perception drives many filmmakers to pin their hopes on just a handful of market-driven festivals that are most important in their region, whether it’s North America (where Sundance looms large), Europe (Cannes, which accepts very few documentaries), Asia (A-list festivals like Busan or Singapore) or elsewhere. In reality, there is a vast ecosystem of film festivals that can all contribute to the healthy life of a documentary film project, and distribution that doesn’t rely on the catalyst of perceived film festival success.
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Graphic with yellow background featuring a yellow pen, yellow pencils, yellow paperclips, a yellow magnify glass, a yellow cellphone, and a stack of white note cards. The top note card has the word Accessibility written in black.
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Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
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People in a circle. Their hands raised, touching in the center.
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Can film advance and energize Black Women’s Wellness? If so, how?
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From July 7-10, 2023, IDA will bring together a diverse group of researchers, artists, curators, creative technologists, poets, and collectives for an in-person convening in Los Angeles, CA.
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In this two-hour workshop, entertainment attorney Chris Perez will clarify and simplify questions about fair use. Chris, who is a partner at Donaldson Callif Perez, current co-president of the IDA Board, and co-writer of Clearance and Copyright, 5th Edition and The American Bar Association’s Legal Guide to Independent Filmmaking, will use his extensive experience helping documentary filmmakers navigate clearance issues to break down the do’s and don’ts of fair use. He will also walk filmmakers through new updates in the law regarding the use of photographs, as well as international issues that need to be considered.