Making User Generated Content work for you.
Distribution
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A look at the distribution market, circa 2006.
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It's been a year of epochal keynote addresses to the indie filmmaking community-bracketed by Mark Gill's gloomy "Yes, The Sky Is Falling" back in June
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On Saturday, September 27, 2008, I attended “The Documentary Marketplace” panel at Film Independent’s Filmmaker Forum, which was held in Los Angeles
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As part of our 25th anniversary essays, distribution maven Peter Broderick writes about how docmakers can maximize their revenue streams by cutting out the middle man.
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Deliverables. Boilerplate. Milestones. E&O. Those are the words that follow "You've got a deal" or "We want you to make your film for our channel."
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You've done it. You've run the funding gauntlet, overcome colossal obstacles in pre-production and tackled the challenges of production. As you rest
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CameraPlanet, the New York City-based producer and distributor, and Discovery Communications, Inc., the cable giant located in Silver Springs
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Glossary of Terms Agents: Represent works for a fee to distributors or to broadcast/cable/satellite outlets. Broadcasters/Cable-Satellite Programming
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Filmmakers frequently ask me, “At what point in the production process should I offer my film to distributors?” Considering that thousands of