Making User Generated Content work for you.
Distribution
A look at the distribution market, circa 2006.
It's been a year of epochal keynote addresses to the indie filmmaking community-bracketed by Mark Gill's gloomy "Yes, The Sky Is Falling" back in June
On Saturday, September 27, 2008, I attended “The Documentary Marketplace” panel at Film Independent’s Filmmaker Forum, which was held in Los Angeles
As part of our 25th anniversary essays, distribution maven Peter Broderick writes about how docmakers can maximize their revenue streams by cutting out the middle man.
Deliverables. Boilerplate. Milestones. E&O. Those are the words that follow "You've got a deal" or "We want you to make your film for our channel."
You've done it. You've run the funding gauntlet, overcome colossal obstacles in pre-production and tackled the challenges of production. As you rest
CameraPlanet, the New York City-based producer and distributor, and Discovery Communications, Inc., the cable giant located in Silver Springs
Glossary of Terms Agents: Represent works for a fee to distributors or to broadcast/cable/satellite outlets. Broadcasters/Cable-Satellite Programming
Filmmakers frequently ask me, “At what point in the production process should I offer my film to distributors?” Considering that thousands of