Over the next month, we at IDA will be introducing our community to the filmmakers whose work is represented in the DocuWeeks™ Theatrical Documentary
Docs about Women
When Linda Goldstein Knowlton adopted her now seven-year-old daughter, Ruby, from China, she knew that one day Ruby would have some questions that her
Documentary spoke with codirectors Suh and Mones about how their film “Sorry/Not Sorry” evolved as they learned the full story of the women wrapped up in Louis C.K.'s destructive orbit.
Documentary is happy to debut an exclusive clip from Anna Moot-Levin and Laura Green’s Matter of Mind: My Parkinson’s , the second film in the co
Documentary is happy to debut an exclusive clip from Ruth Leitman’s No One Asked You, which follows The Daily Show co-creator Lizz Winstead on her
We first meet our protagonists seated together on a brightly lit set, their figures visible in the gap between a pair of dark curtains. Two hands come
A heartfelt departure from the prison life documentaries that have become so ubiquitous in recent years, Tana Gilbert’s Malqueridas takes a novel approach to this thorny topic through a most unusual lens. Comprised solely of clandestinely shot cellphone footage—in its original vertical format—from inside a Santiago women’s prison by incarcerated mothers, the film is narrated by “Karina,” a mom who spent six years behind bars. In the film, she voices the experience of and for the collective whole, specifically the 20 or so women who participated in “extensive conversations” during the film’s research phase.
Full of archival footage and interviews with players from then and now, ‘Copa 71’ is a historical addition to the legacy of women's soccer. Documentary talked to Ramsay Erskine about the making of the documentary and what might never be resolved.
Described as “performative research into the court archive of the 'Kunarac et al.' case known as the ‘Foca Rape Camp Trial’” before the International Criminal Tribunal for the Former Yugoslavia (ICTY), Kumjana Novakova’s 'Silence of Reason' took this critic’s prize for the most powerful nonfiction film at the 29th Sarajevo Film Festival (August 11–18).
Tamana Ayazi and Marcel Mettelsiefen’s In Her Hands follow the unlikeliest of protagonists, with a backstory that practically begs for Hollywood to