David Osit discusses how Predators, his house of cards examining Chris Hansen’s controversial sting show and its YouTube imitators, stealthily
Interview
In this interview, Gianfranco Rosi discusses Below the Clouds, his approach to nonfiction, and recent works’ political turn
In this interview on Under the Flags, the Sun, Paraguayan director Juanjo Pereira discusses completing his archival excavation of former President
In this interview on his collage film Holofiction, Michal Kosakowski discusses Holocaust cinema symbols in the present day
In this interview, Federico Cammarata and Filippo Foscarini discuss their migration-focused Waking Hours and their reasons for filming in darkness
In this expansive interview, Robb Moss discusses longitudinal personal filmmaking, his influence as a teacher, and The Bend in the River
In this interview, Kamal Aljafari discusses how three tapes filmed in 2001 revealed themselves as a new film, With Hasan in Gaza
In this interview, Iranian filmmaker Maryam Tafakory discusses how she abstracts and rewrites post-revolutionary Iranian cinema to reveal the queer
In this interview, Viktor Kossakovsky discusses leaving no stone unturned in Architecton
Revolutionary! Magical! Game-changing! These are some of the words being used to describe the results of AI-generated upscaling tools for archival and low-resolution footage. Some documentarians have turned to Video AI from Topaz Labs, a software featuring a suite of 30-plus AI models for video enhancement. To learn more about Video AI and the future of AI-assisted video upscaling, Documentary interviewed the Topaz CEO and Co-founder Eric Yang.