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Articles by Nicolas Rapold

A white man wearing a cap and a hoodie sits at a kitchen table with his laptop, which is adorned by a communism sticker and another that reads "Let Cuba Live"
Sinéad O’Shea Talks Capturing Fergie Chambers’s Many Contradictions in ‘All About the Money’
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Various vintage television sets made to look like they're laying on the ground on a New York City street show scenes from public access Tv shows
A Live Archive: David Shadrack Smith Talks About Wrestling With the Unwieldy History of his Sundance-premiering ‘Public Access’
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View from inside a car, a white man with dark hair and glasses can be seen driving through the rearview mirror as he passes a sign that reads Treblinka
“We All Have a Role to Play:” Guillaume Ribot’s ‘All I Had Was Nothingness’ Reveals How Claude Lanzmann Made ‘Shoah’
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A woman lays on a bed that stands alone in the middle of a dusk-lit forest
Lines in Sand: IDFA 2025 Traces Documentary Collaboration Across Borders
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Under a blue cloth that is semi-transparent, a teenaged girl lays on the floor with her eyes closed.
“Mind and Heart”: Mehrdad Oskouei and the Team of ‘A Fox Under a Pink Moon’ on Remote Collaboration
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Three young people look at a book, while sitting in a classroom.
Venice 2025: Empires and Endings
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DV tape image of the back of a man's head, walking through a field with building rubble.
Objet Trouvé: Kamal Aljafari Discusses ‘With Hasan in Gaza’
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In a yellow room, a man in a beige trench coat talks to a man who is shaving.
Cannes 2025: Nonfiction, By the Numbers
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Underneath a lush, green canopy, two figures stand closely with talking.
“Fear Can Also Be Powerful for Creation, Not Just for Destruction”: Déni Oumar Pitsaev on his Cannes Prize-Winner ‘Imago’
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Backlit by the sun, the silhouette of a man walking down a snowy road.
IDFA 2024: What We Owe
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Cut outs of photographs of a light-skinned woman with long hair.
Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’
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A bald white man, in a dark uniform, talks to another man with his back facing the camera.
Crimes of Opportunity: Luuk Bouwman on His Portrait of a Nazi Official, ‘The Propagandist’
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A bald man with glasses stares into the distance.
Venice 2024: Bumper Crop
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