On production sound...
Winter 2014
The Sound and Music Issue Winter 2014
We consult the leading practitioners in all things aural—recordists, mixers, designers, composers and filmmakers— who proffered sage counsel on how to achieve the best sound for your documentary,

Features
In 2013, Dolby Labs launched the Dolby Institute...
By Suz Curtis
Music supervision is one of those coveted jobs by...
By Brooke Wentz
Front row: sound supervisor/mixer James LeBrecht...
By Tom White
The American Film Showcase in Israel and...
By Katie Dellamaggiore
Over the last decade, there has been an explosion...
By Ron Deutsch
James Lebrecht. Photo: B. Doug Jensen Whether you...
By james LeBrecht
In today's fast-paced and budget-conscious...
By Lonnie Sill
Filmmakers have often told me that they find the...
By miriam cutler
The Sundance Institute recently named Tabitha...
By Suz Curtis
Columns
By wanda bershen
Wiseman Plays Berkeley: The Legendary Documentarian Takes on the Decline in Funding Public Education
By Elisabeth Greenbaum Kasson