Join moderator, Marjan Safinia, and other friends of IDA for a special evening with filmmaker, Ross Kauffman. Learn about the fascinating journey of "Born into Brothels" from concept to screen to Oscar; discuss challenges, tips, and advice for shooting in foreign countries, co-directing, the value of mentors, making the move from documentary into narrative and the evolution of a career that starts with an Oscar for your first film.
Educational Seminars
Our year-round series of seminars, panels and workshops focusing on the art, craft and business of documentary filmmaking. Become an IDA member to access previous seminars online.
Join us for a special evening with filmmaker and activist, Robert Greenwald at his Brave New Films offices and studio space. Peek inside their operation. Learn about breakthrough techniques for building an audience, fundraising, and distributing your documentary.
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
If you live outside the United States, reviewed the Open Call Info Video Series, and still have questions about the Open Call Applications, then these Office Hours are perfect for you! As non-USA applicants, you may have questions about eligibility, our guidelines, how we evaluate projects, and how
A very small number of film festivals seem to hold an enormous amount of sway over a film’s sales and distribution prospects, as well as the filmmakers’ chances at creating a sustainable living through filmmaking. This perception drives many filmmakers to pin their hopes on just a handful of market-driven festivals that are most important in their region, whether it’s North America (where Sundance looms large), Europe (Cannes, which accepts very few documentaries), Asia (A-list festivals like Busan or Singapore) or elsewhere. In reality, there is a vast ecosystem of film festivals that can all contribute to the healthy life of a documentary film project, and distribution that doesn’t rely on the catalyst of perceived film festival success.
A 90-minute workshop with Maya E. Rudolph, Vice President of Non-Fiction at Louverture Films.
In recent years, “creative documentaries,” especially those from India, have soared to new heights globally, carving out a unique space in world cinema. What exactly are "creative documentaries," and how do they intersect with Indian and Western audiences? India has experienced a rise in successful documentaries, yet many of these projects are primarily made possible through support from Western funding bodies and institutions. This dynamic prompts reflection on the tenets by which decisions to fund these films are made.
In this panel, moderated by filmmaker Charlie Shackleton, representatives from an array of archives will discuss these challenging issues, while also highlighting the ways in which archives can serve the independent filmmaking community.
Filmmakers of color often encounter pushback from the industry around how to tell our stories our way. We are nudged to sacrifice our vision, our creativity, and sometimes even the truth, in the name of commercial viability and mass audience appeal. How can we be supported to tell stories outside of the dominant gaze, if most formative spaces for international artists are trying to make a film “accessible” to a mass audience?
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.