Making a film is a huge undertaking, and definitely not for the faint of heart. A major part of the work--more than you ever imagined--is the process
Business
Editor's note: This article was revised for the Winter 2019 issue, adapted from the session Getting Real '18. Since then, a second revision was
"Never spend money on your one sheet," advises James Lewis of the publicity firm mPRm. Having worked on films like March of the Penguins and Dust to
Michael Tucker' and Petra Epperlein's 'Gunner Palace' gets an 'R' for language.
Deliverables. Boilerplate. Milestones. E&O. Those are the words that follow "You've got a deal" or "We want you to make your film for our channel."
You've done it. You've run the funding gauntlet, overcome colossal obstacles in pre-production and tackled the challenges of production. As you rest
As I prepared to attend the 2003 National Association of Television Program Executives (NAPTE) marketplace in New Orleans—my third such event—I
The Had To Be Made Film Festival (HTBMFF) is the most recent film festival to put out a call for entries. If you've tried the film festival circuit
Congratulations! You’ve just hung up with your favorite development executive at your favorite cable network, and she’s confirmed that the network
The seed for an in-depth look at the relationship between cable companies and filmmakers came as the result of some startling words from a legend in