In 1979, filmmaker Werner Herzog flies to the jungles of the Amazon to shoot a film about a turn-of-the-century rubber baron, Brian Sweeney Fitzgerald, who strives to bring Caruso’s operas to the Peruvian city of Iquitos. As Herzog is adamant the film—Fitzcarraldo (finally released in 1982)—should not rely on special effects, the baron and the filmmaker have the same titanic task ahead of them: to transport a 320-tonne steamship over a hill and gain access to a neighboring river system. Another filmmaker, the American Les Blank, has been recruited to capture the tribulations surrounding and informing this technical feat. Blank’s 1982 documentary Burden of Dreams, newly restored and re-released by Janus Films, does much more than merely observe the resurrection of Sisyphus in the modern day. It also charts, and subsequently punctures, a man’s attempts to swaddle himself in the ill-fitting garments of that myth, to ennoble his self-inflicted suffering to the history books and pave over crime with punishment.
Films on Film
Charlie Shackleton describes “The Afterlight” as “a film that’s designed to be lost.” It deliberately exists as a single 35mm print that will naturally degrade over time and with every showing. But recently, the film was lost in a different way than intended. Documentary spoke with Shackleton about the logistics of the accidental loss of the film and its subsequent recovery.