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“We Can Always Do Better For Each Other”: DocuMentality’s ‘The Price of Passion’ Reports Doc Filmmakers’ Mental Health

By Sevara Pan

“We Can Always Do Better For Each Other”: DocuMentality’s ‘The Price of Passion’ Reports Doc Filmmakers’ Mental Health

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“How Reality Is Structured”: ‘Jesus Thirsts’ and Director Tim Moriarity Turn Theology Into Box Office Gold

By Dan Schindel

“How Reality Is Structured”: ‘Jesus Thirsts’ and Director Tim Moriarity Turn Theology Into Box Office Gold

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Taiwan Int’l Doc Festival 2024: Reuse, Reorient, and Remember

By Sudipto Sanyal

Taiwan Int’l Doc Festival 2024: Reuse, Reorient, and Remember

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“Potentially Setting Them Up for Backlash Again”: Caroline Suh and Cara Mones Reflect on Their Louis C.K.-Adjacent ‘Sorry/Not Sorry’

By Luke Y. Thompson

“Potentially Setting Them Up for Backlash Again”: Caroline Suh and Cara Mones Reflect on Their Louis C.K.-Adjacent ‘Sorry/Not Sorry’

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Lost and Found: Charlie Shackleton’s Found Footage 35mm Film ‘The Afterlight’ Disappeared for Weeks

By Dan Schindel

Lost and Found: Charlie Shackleton’s Found Footage 35mm Film ‘The Afterlight’ Disappeared for Weeks

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“Nature Is a Concept That Exists to Divide Us From the Land”: Josh Fox on His Documentary Theater ‘The Edge of Nature’

By Lauren Wissot

“Nature Is a Concept That Exists to Divide Us From the Land”: Josh Fox on His Documentary Theater ‘The Edge of Nature’

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A Film Worker’s Search for Integrity

By Jemma Desai

A Film Worker’s Search for Integrity

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Navigating Sheffield DocFest 2024: Rain or Shine

By Janay Boulos

Navigating Sheffield DocFest 2024: Rain or Shine

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“I Can Find the Dragons Here”: Suzanne Raes Discusses ‘Where Dragons Live’

By Carol Nahra

“I Can Find the Dragons Here”: Suzanne Raes Discusses ‘Where Dragons Live’

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“I Generally Film Solo”: Duncan Cowles’ Multicam First-Person ‘Silent Men: The Awkward Art of Expressing Emotion’

By Carol Nahra

“I Generally Film Solo”: Duncan Cowles’ Multicam First-Person ‘Silent Men: The Awkward Art of Expressing Emotion’

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“Going Through Every Emotion Is Important”: Zia Anger Morphs Desktop Documentary Performance ‘My First Film’ Into Fiction

By Alex Lei

“Going Through Every Emotion Is Important”: Zia Anger Morphs Desktop Documentary Performance ‘My First Film’ Into Fiction

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Folk Memory Project at Open City 2024: “Between Autoethnography and Anti-ethnography”

By Arta Barzanji

Folk Memory Project at Open City 2024: “Between Autoethnography and Anti-ethnography”

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