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Notes from the Reel World, Summer 2022

By Rick Pérez

Notes from the Reel World, Summer 2022

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The Feedback: Lisa Riordan Seville and Zara Katz's 'A Woman on the Outside'

By Tom White

The Feedback: Lisa Riordan Seville and Zara Katz's 'A Woman on the Outside'

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'Not Just the Filmer Filming the Filmed': The Ethical Softness of Alice Diop's Documentaries

By Bedatri D. Choudhury

'Not Just the Filmer Filming the Filmed': The Ethical Softness of Alice Diop's Documentaries

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Tribeca 2022: Cheerful, Creative Cacophony

By Bedatri D. Choudhury

Tribeca 2022: Cheerful, Creative Cacophony

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Doc Star of the Month: Margaret Byrne, 'Any Given Day'

By Lauren Wissot

Doc Star of the Month: Margaret Byrne, 'Any Given Day'

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Liberation Isn't Something That We Arrive At

By Jessica Devaney

Liberation Isn't Something That We Arrive At

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Looking Back and Moving Forward: QDoc, America's Only LGBTQ+ Documentary Festival

By Hansen Bursic

Looking Back and Moving Forward: QDoc, America's Only LGBTQ+ Documentary Festival

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'Kill the Documentary': Jill Godmilow's Manifesto Takes on the Nonfiction Form

By Cynthia Close

'Kill the Documentary': Jill Godmilow's Manifesto Takes on the Nonfiction Form

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An In-Person Hot Docs 2022: Of Memory, Longing, Reconstructing, Questioning

By Bedatri D. Choudhury

An In-Person Hot Docs 2022: Of Memory, Longing, Reconstructing, Questioning

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Doc Star of the Month: Harry Chuck, 'Chinatown Rising'

By Lauren Wissot

Doc Star of the Month: Harry Chuck, 'Chinatown Rising'

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Andrea Arnold's 'Cow': The Searing Romance and Reality of Nature

By Imani Altemus-Williams

Andrea Arnold's 'Cow': The Searing Romance and Reality of Nature

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New Voices Stand Out at SFFILM, America's Longest-Running Film Festival

By Hansen Bursic

New Voices Stand Out at SFFILM, America's Longest-Running Film Festival

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