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“He Will Do Anything For Me”: Tadashi Nakamura on Filming His Trail-Blazing Father Robert Nakamura in ‘Third Act’

By Ishita Sengupta

“He Will Do Anything For Me”: Tadashi Nakamura on Filming His Trail-Blazing Father Robert Nakamura in ‘Third Act’

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“I Want to Humanize That Symbol”: Isabel Castro on ‘Selena y Los Dinos’

By Natalia Keogan

“I Want to Humanize That Symbol”: Isabel Castro on ‘Selena y Los Dinos’

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“A Dog Really Brings Out the Humanity in a Person”: Heidi Ewing and Rachel Grady on ’FOLKTALES’

By Natalia Keogan

“A Dog Really Brings Out the Humanity in a Person”: Heidi Ewing and Rachel Grady on ’FOLKTALES’

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“Emotional Ping-Pong”: David Osit’s ‘Predators’ Moves Beyond True Crime Binaries

By Dan Schindel

“Emotional Ping-Pong”: David Osit’s ‘Predators’ Moves Beyond True Crime Binaries

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“Playing Three-Dimensional Chess”: Balancing Personal Lives and the Status Quo in Violet Du Feng’s ‘The Dating Game’

By Lauren Wissot

“Playing Three-Dimensional Chess”: Balancing Personal Lives and the Status Quo in Violet Du Feng’s ‘The Dating Game’

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The Preview: Five Documentaries to Catch at Sundance 2025

By Abby Sun

The Preview: Five Documentaries to Catch at Sundance 2025

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“Made Out of Necessity”: Oksana Karpovych Discusses the Chronology of ‘Intercepted’

By Sonya Vseliubska

“Made Out of Necessity”: Oksana Karpovych Discusses the Chronology of ‘Intercepted’

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The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

By Natalia Keogan

The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

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No Other Distribution: How Film Industry Economics and Politics Are Suppressing Docs Sympathetic to Palestine and Critical of Israel

By Anthony Kaufman

No Other Distribution: How Film Industry Economics and Politics Are Suppressing Docs Sympathetic to Palestine and Critical of Israel

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“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’

By Sasha Han

“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’

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“Examining Their Eyes, Hands, Hair, Mouths, and Posture”: Darius Clark Monroe on the Intimacies of Docuseries ‘Dallas, 2019’

By Lauren Wissot

“Examining Their Eyes, Hands, Hair, Mouths, and Posture”: Darius Clark Monroe on the Intimacies of Docuseries ‘Dallas, 2019’

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A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

By Robert Bahar

A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

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