Skip to main content

Meghan Monsour

Close up headshot of Meghan Monsour with long dark hair and fair skin.

Meghan Monsour is a film programmer and programming consultant based in Mexico. Her career has been dedicated to reimagining how films connect with their audiences and developing alternative distribution networks for documentary film. Previously she was the director of programming at the Ambulante Documentary Film Festival.

Articles

A woman leans back against a chair.
The Synthesis: Piotr Winiewicz on the “Surprisingly Ordinary Dreams” Generated by AI in His IDFA Opening Film
Column
Read More
A light-skinned woman with cropped brown hair and a beige sweater gently smiles at the camera.
“A Win-Win Situation”: Marianna Kaat Launches the Inaugural Doc Competition at Tallinn Black Nights
Online Feature
Read More
Canva Design, film audience
IDA Grantee Premieres at IDFA and DOC NYC
Blog
Read More
A young, light-skinned boy stares into the camera while holding a dove.
Sareen Hairabedian on Depicting Coming-of-Age During War in ‘My Sweet Land’
Online Feature
Read More
In front of an illuminated screen of the Amazon, three actors sit or stand in the dirt.
“Telling a Story Together Creates Another Story”: Milo Rau on the Utopian Documentarism in His ‘Antigone in the Amazon’
Online Feature
Read More
A Venn diagram with 'AI+Documentary' in the middle.
The Synthesis: AI Is Everywhere, Even in Your Documentary
Column
Read More
Outside in a courtyard, groups of filmmakers sit around circular tables.
Five Strategies to Gather Community Support for Your Film
Blog
Read More
A white woman films herself with an iPhone. Behind her, on a bed, is her teenaged son.
“The Deepest, Darkest Parts of Ourselves”: Victoria Mapplebeck Discusses ‘Motherboard’
Online Feature
Read More
In a car interior, a white woman with short-cropped silver hair looks archly at the camera.
Robinson Devor Discusses ‘Suburban Fury’
Online Feature
Read More
A Black woman sits cross-legged on her bed.
The Feedback: Jessica Chaney and Amanda Willoughby Reframe Mental Health Challenges in ‘I Am’
Online Feature
Read More
A Black man in a white jacket looks at a statue.
Shifting Ground: Mati Diop’s ‘Dahomey’
Online Feature
Read More
Black and white photo of a woman leaning against a wall. She is a wearing a striped tank top, and her hands are in her pockets.
Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition
Feature
Read More
A large steamship being dragged up the side of a mountain.
Monumental Human Error: Observing Folly in ‘Burden of Dreams’ and ‘My Best Fiend’
Online Feature
Read More
Three Asian American women stand behind a table of buttons, next to a red banner that reads "A-Doc."
Sustainability in All Its Forms: A-Doc’s New Co-Directors Value Holistic Support
Online Feature
Read More
Headshot of Asako Fujioka. An east-Asian woman smiles at the camera with a concrete wall with black decorations behind her. She has straight graying hair and is wearing a loose dark pink blouse.
IDA Member Spotlight: Asako Fujioka
Blog
Read More
A white man sits behind some camera equipment in a dressing room.
“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’
Online Feature
Read More
Two people dressed in traditional Mongolian clothes look into the distance.
“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’
Online Feature
Read More
A young Asian woman and a middle-aged white man take a selfie in front of a large auditorium of spectators.
Exclusive: American Film Showcase Announces 2025 Film Slate
Exclusive News
Read More
A black man sits in front of a microphone, smiling.
Camden 2024: A Profound Commitment
Online Feature
Read More
Two men face each other in front of a stone wall.
“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’
Online Feature
Read More
An AI-generated image of a thin man in a suit and tie, leaning against a chair.
Locarno 2024: Technologies of Vision/Visions of Technology
Online Feature
Read More
Two women stand side by side.
Holding On to a Good Story: Making ‘God Save Texas’
Feature
Read More
On a street at night, a Russian woman stares behind the camera.
Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’
Online Feature
Read More
A wide angle shot of a Latino man seated in a living room surrounded by documentary interview equipment.
“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’
Online Feature
Read More
A crowded room of attendees sitting on fold-out chairs looks at a stage and presentation.
Five Ways to Write Better Grants
Blog
Read More
A woman with brown hair and wearing a black, colored shift leans her chin on one hand.
Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager
Exclusive News
Read More
A hand hovers over a chess board.
Utopia Is Temporary: Ben Russell and Guillaume Cailleau Discuss ‘Direct Action’
Online Feature
Read More
A bald man with glasses stares into the distance.
Venice 2024: Bumper Crop
Online Feature
Read More
Bircan Birol headshot
IDA Member Spotlight: Bircan Birol
Blog
Read More
On a sandy beach, two women film a mother and child.
Making a Production: NoCut Film Collective
Feature
Read More
Headshot of a Filipino-American man with an undercut looking seriously into the distance.
Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award
Exclusive News
Read More
A Chinese woman with dark hair and a sequined blue jacket with a fur collar sits at a white marble table and speaks into her cell phone. Another cell phone rests on the table by her elbow. There is a brown curtain and wooden bookshelf behind her.
“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’
Online Feature
Read More
Black and white photograph of a serious-looking white male. "George Carmack was an American prospector."
Matters of Life and Decay: Bill Morrison’s Material Profundity
Feature
Read More
An extreme close up of an oyster dripping succulent juices into an open mouth.
The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’
Column
Read More
In a movie theater landing, more than 10 people using wheelchairs crowd into all available space.
A Bump in the Road on Our Ride Ahead
Online Feature
Read More
A black and white photograph of a smiling Black woman with short hair. She is wearing a dress with striped sleeves.
Exclusive: Catapult Film Fund Names Tabitha Jackson to Board
Exclusive News
Read More
Two men sit at the bottom of a large screen, speaking into microphones.
On the Notion of Transmission
Feature
Read More
A left hand, palm-side up, is rendered in a hand-drawn style with white lines on a black background. The fourth and fifth fingers are warped and stretching with a glitch aesthetic, as if beginning to float away.
“Breaking the Fourth Wall of VR”: Ben Joseph Andrews and Emma Roberts Discuss ‘Turbulence: Jamais Vu’
Online Feature
Read More
A group of people sit on some orange and yellow couches, on a stage in front of a sign that reads: "The Daily Jawn Stage" and "BSFF."
BlackStar 2024: Bending Space-Time
Online Feature
Read More
Two men look at a map in the wilderness against the background of a cliffside.
CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’
Feature
Read More
Photograph of a Black man with a yellow jacket, leaning into the camera.
“This Story Serves as a Cautionary Tale”: Sam and Jason Pollard on Their Documentary ‘Ol’ Dirty Bastard: A Tale of 2 Dirties’
Online Feature
Read More
New Academy Members graphic
Celebrating IDA Members' Success at The Academy, Emmys, Gotham Week & CIFF
Blog
Read More
The cover of "Harun Farocki: Forms of Intelligence," depicting three humanoid robots holding cameras.
“Labor and War and Their Interconnectedness”: Film Historian Nora M. Alter Discusses Her New Harun Farocki Monograph
Online Feature
Read More
Stormy Daniels sitting in the background on a white armchair, with a monitor showing her close-up shot in the foreground.
How the PRESS Act Will Protect Documentarians
Feature
Read More
Three young people sit on a mattress on the ground.
“I’m Part of This”: Martha Coolidge Discusses Her Early Metacinema ‘Not a Pretty Picture’
Online Feature
Read More
A crowd gathers outside a building. There is a tree with green leaves in the middle of the picture behind the crowd and in front of the building.
Saving Ourselves at Getting Real ’24
Feature
Read More
Advik Beni headshot
IDA Member Spotlight: Advik Beni
Blog
Read More
A bald man bends down to hug his daughter. The child is wearing a sad expression.
Screen Time, Summer/Fall 2024
Column
Read More
A man wearing a t-shirt and a beanie is being interviewed.
Exclusive: Clip from Holly Hardman’s ‘As Prescribed’
Exclusive News
Read More
Audience members hold up their pointer finger, looking towards the stage offscreen.
Presence/Absence at Getting Real ’24
Feature
Read More