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Meghan Monsour

Close up headshot of Meghan Monsour with long dark hair and fair skin.

Meghan Monsour is a film programmer and programming consultant based in Mexico. Her career has been dedicated to reimagining how films connect with their audiences and developing alternative distribution networks for documentary film. Previously she was the director of programming at the Ambulante Documentary Film Festival.

Articles

In a living room, a woman and a man wearing lavalier mics sit on a gray couch.
“The Art Creates the Man”: Rebecca Miller on Documenting Martin Scorsese’s Life and Work in ‘Mr. Scorsese’
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A hand tenderly touches a plaque that reads: "Stephen / Henry Hilda."
Inherited Fictions: Renowned Editor Mary Stephen on Examining Her Surname in ‘Palimpsest’
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From above, an image of fishermen sorting their catch.
Dangerous Waters: Baby Ruth Villarama’s ‘Food Delivery: Fresh From the West Philippine Sea’ Finds Its Way Home After Suppression
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An artfully obscured photo of a group of people in an outdoor setting.
Doc’s Kingdom 2024: Sonic Diaries From Odemira
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On a cloth-covered couch on an outdoor porch, a woman holds a Halloween mask over her face.
Outgrowing Your Parent’s Politics: Lee Anne Schmitt on ‘Evidence’
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A candid shot of a woman in a khaki outfit with long brunette hair(Raganelli) standing next to a woman with a bowl cut(Agnes Varda) as they converse.
The Moment at Hand: Katja Raganelli’s Portraits of Trailblazing Female Directors
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Tracy Rector by Zorn B Taylor
IDA Member Spotlight: Tracy Rector
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A group of people prepare for a canoe trip.
Berkeley Film Foundation Announces 2025 Grant Recipients
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A large group of smiling people wearing Locarno merchandise pose in front of a festival banner.
Locarno 2025: Future Frequencies
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A woman wearing a vibrant red jacket sits regally in a chair.
First Against the Wall: Heiny Srour’s Militant Cinema of Women in Liberation Movements Persists
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In a white studio, a white man wearing a white jacket sits in a chair, behind a camera and lights.
The Mirror’s Edge: David Osit Discusses ‘Predators,’ an Appraisal of ‘To Catch a Predator’
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Three young people look at a book, while sitting in a classroom.
Venice 2025: Empires and Endings
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A woman with black hair stands in the middle of a plant shop.
Exclusive: Trailer From Min Sook Lee’s TIFF Honorable Mention ‘There Are No Words’
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Notes From the Reel World, Fall 2025
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Film still from The First 54 Years by director Avi Mograbi
Israeli Documentary Filmmakers Support International Boycott in Open Letter Condemning Gaza War
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Under an overcast sky, a volcano looms over the city of Naples.
“Finding the Right Distance”: Gianfranco Rosi Discusses His Venice Special Jury Prize-winner ‘Below the Clouds’
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Letter From the Editor, Fall 2025
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A red-tinted image of a young boy pointing a gun at the camera.
“Take These Documents and Squeeze Them”: Juanjo Pereira on Reconstructing a Paraguayan Film Archive for ‘Under the Flags, the Sun’
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White graphic with headshots of 14 Indian women.
Exclusive: Bitchitra Collective Selects Seven Filmmakers for 2025 Fellowship and Sriyanka Ray Grant
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Two white women sit at a booth.
Exclusive: BAVC Media Launches Results of Study on Magnetic Media Preservation Efforts
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Split screen of nine images of speakers.
How to Decode Fascist Systems Today: Michal Kosakowski on His Venice-Premiering ‘Holofiction’
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Silhouette of a man bent over.
“True Memory Catalogs”: Federico Cammarata and Filippo Foscarini on their Venice-Premiering Doc Waking Hours
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In an interior room, a man with a camera films a woman, who is also holding a camera.
The Beautiful Mess of Seeing: A Reckoning With Authorship and Power in Collaborative Filmmaking
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In an abandoned-looking shell of a house, a man with a long white beard does some stretches.
Exclusive: Clip from Robb Moss’s Telluride-Premiering ‘The Bend in the River’
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16mm still of a group of seven young adults and their canoes, on the banks of the Colorado River surrounded by canyons.
“These Pieces of Time Had to Ricochet Off Each Other”: Robb Moss Discusses ‘The Bend in the River’
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Wide shot of a grand auditorium filled with spectators.
CPH:DOX 2025: Current Events
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Six women stand against a brick wall.
Making a Production: PINKS
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A brunette woman dressed in black sits next to a man with a beard on a couch covered in various furs.
María Alejandra Rojas and Arturo Salazar’s Sonic Wonderland
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DV tape image of the back of a man's head, walking through a field with building rubble.
Objet Trouvé: Kamal Aljafari Discusses ‘With Hasan in Gaza’
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A firefighter wearing a yellow uniform looks at a burning field.
Minding the Gaps: How CPB’s Closure Fragments the U.S. Documentary Ecosystem
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A grid with some blacked out boxes is overlaid on a film still of a woman with her back to the camera.
“What They Had to Conceal”: Maryam Tafakory’s Archival Interventions Highlight the Erased
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In front of a wall with "CINEGAEL" painted on it stands a father and his son, with a camera on a tripod.
The Sea Is an Archivist: ‘Atlantean’ and the Communal Cinema of Bob Quinn
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A mountain rises in the distance of ruins.
“My Films Do Not Talk With Words”: Viktor Kossakovsky Discusses His Latest Nonhuman Subject in ‘Architecton’
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An image is shown twice, once in the bottom left hand corner of the frame and once taking up the frame's entirety. They both picture a man in a cowboy hat with a guitar on a desert road. The larger sized image has been digitally restored, and looks much smoother and cleaner.
Detail Versus Fidelity: CEO of AI Video Footage Enhancer Topaz Labs Strongly Advises “Against Forensic and Medical Uses”
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A woman in a room crowded with furniture plays with an infant in a highchair.
Sheffield DocFest 2025: Tender Shoots
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A group of people sit in a circle in a large dance studio.
“We Do Need Art in Order to Reach Each Other”: Tatyana Tenenbaum Reconfigures Choreographer Hadar Ahuvia’s Dance in ‘Everything You Have Is Yours’
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A person in safety gear and a mask looks at the camera, standing next to the door to a room where more people in the same gear are pictured inside.
Jeonju 2025: Small Sparks
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Snow tumbles over a cliff edge in Zion National Park.
The Explainer: Why Is Calm Content Taking Over TV and Digital Platforms?
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Five people sit on a bench, looking at an installation of videos featuring young Vietnamese children.
“You Can Cheat on Reality”: Emeline Courcier on Her Immersive Artwork ‘Burn From Absence’
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In a verdant landscape, a small house sits postioned between two men lying on their backs and looking up at the sky.
Karlovy Vary 2025: Holding the Line
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A globe with red, orange, yellow, and green stripes next to the text "Disability Media Alliance."
Disability Media Alliance Launches to Serve Disabled Nonfiction Storytellers Around the World
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A man with shoulder-length hair stands looking at the camera as the sun illuminates him.
“Thinking About Cinema Here Is a Revolutionary Act”: Giffoni Programmer Rosario Minervini Discusses Nurturing Young Audiences Through Doc Storytelling
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A line drawing of a woman holding a magnifying glass up to some documents, including one that reads "AI."
Legal FAQ: AI Tips for U.S. Documentary Filmmakers
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Headshot of Billy Shebar
IDA Member Spotlight: Billy Shebar
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In a mirror, a woman holding a camera on her shoulder is reflected, squinting through the viewfinder and smiling brightly.
Remembering Joel DeMott
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A woman sits with her arms wrapped around her knees on a riverbank, back facing the camera. A man in profile films her, while another man looks over her shoulder.
“Their Story Deserved a Film”: Bipuljit Basu Discusses Collaboration in ‘Red Light to Limelight’
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Four people are pictured, curled up in grass inside what appears to be a greenhouse.
Exclusive: Clip from Paula Ďurinová’s ‘Action Item,’ Premiering at Karlovy Vary and FIDMarseille
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Alaa Minawi sits on a white box, with his ear pressed against a white wall in the center of a bare room.
“I Will Become My Own Institution”: Alaa Minawi Discusses His Immersive Installation ‘The Liminal’
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Three people, two men and a woman, are foregrounded speaking to each other. A busy factory assembly line is pictured behind them.
Probing Prosperity: Xinyan Yu and Max Duncan Discuss ‘Made in Ethiopia’
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Three images of this year's BGDM fellows appear above the BGDM logo.
Brown Girls Doc Mafia Announces Three 2025 Sustainable Artist Fellows
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