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Letter from the Editor, September 2023

By Abby Sun

Letter from the Editor, September 2023

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A Dedicated Space: Open City 2023

By Andrew Northrop

A Dedicated Space: Open City 2023

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“One Tiny Little Block”: Rachel Ramsay and James Erskine on ‘Copa 71’

By Catalina Combs

“One Tiny Little Block”: Rachel Ramsay and James Erskine on ‘Copa 71’

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“Geographies of Survival”: Kumjana Novakova Discusses Her Sarajevo Film Festival Human Rights Award-Winning ‘Silence of Reason’

By Lauren Wissot

“Geographies of Survival”: Kumjana Novakova Discusses Her Sarajevo Film Festival Human Rights Award-Winning ‘Silence of Reason’

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“Cinema is About the Body”: ‘Documentary’ Presents Claire Simon in Conversation

By Abby Sun

“Cinema is About the Body”: ‘Documentary’ Presents Claire Simon in Conversation

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Making a Production: Breakwater Studios

By Mark Jonathan Harris

Making a Production: Breakwater Studios

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“A Psychic Ledger”: Soda Jerk Discusses ‘Hello Dankness’

By Dan Schindel

“A Psychic Ledger”: Soda Jerk Discusses ‘Hello Dankness’

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Remembering Nancy Buirski: Founder of Full Frame and Award-Winning Filmmaker

By IDA Editorial Staff

Remembering Nancy Buirski: Founder of Full Frame and Award-Winning Filmmaker

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Letter from the Editor, August 2023

By Abby Sun

Letter from the Editor, August 2023

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“Cinema Can Be a Mode for Grieving”: Elaine McMillion Sheldon Discusses ‘King Coal’

By Alex Lei

“Cinema Can Be a Mode for Grieving”: Elaine McMillion Sheldon Discusses ‘King Coal’

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“Reactionary, But Also Revolutionary”: Jean Eustache’s Mutable Actualities

By Ruairí McCann

“Reactionary, But Also Revolutionary”: Jean Eustache’s Mutable Actualities

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The Feedback: Jane Wagner’s ‘Break the Game’

By Gabriella Ortega Ricketts

The Feedback: Jane Wagner’s ‘Break the Game’

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