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“A Symphony of Echoing Voices”: Arun Bhattarai and Dorottya Zurbó on ‘Agent of Happiness’

By Lauren Wissot

“A Symphony of Echoing Voices”: Arun Bhattarai and Dorottya Zurbó on ‘Agent of Happiness’

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“I Write Stories Using Light”: Asmae El Moudir Discusses ‘The Mother of All Lies’

By Lauren Wissot

“I Write Stories Using Light”: Asmae El Moudir Discusses ‘The Mother of All Lies’

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The Preview: Seven Documentaries to Catch at Sundance 2024

By Abby Sun

The Preview: Seven Documentaries to Catch at Sundance 2024

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“The Ladder of Creative Risk”: Luke Moody Discusses the BFI Doc Society Fund

By Soheil Rezayazdi

“The Ladder of Creative Risk”: Luke Moody Discusses the BFI Doc Society Fund

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Producer’s Diary: ‘Hard to Swallow’ (November 2016–September 2023)

By Theo Schear

Producer’s Diary: ‘Hard to Swallow’ (November 2016–September 2023)

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“I Think Linearity Is a Trap”: Deborah Stratman Discusses ‘Last Things’

By Dan Schindel

“I Think Linearity Is a Trap”: Deborah Stratman Discusses ‘Last Things’

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An Independent Spirit: Dara Messinger Discusses DCTV’s Firehouse Cinema

By Shane Smith

An Independent Spirit: Dara Messinger Discusses DCTV’s Firehouse Cinema

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Inside DOC NYC: Power, Profit, and Community at America’s “Largest” Doc Fest

By Anthony Kaufman

Inside DOC NYC: Power, Profit, and Community at America’s “Largest” Doc Fest

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Reenactments and Reversals: The Plot Twist in Kaouther Ben Hania’s ‘Four Daughters’

By Winnie Wang

Reenactments and Reversals: The Plot Twist in Kaouther Ben Hania’s ‘Four Daughters’

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Reality Ink: A Review of ‘William Greaves: Filmmaking as Mission’

By Cynthia Close

Reality Ink: A Review of ‘William Greaves: Filmmaking as Mission’

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Field Recording: We Do Not Accept!

By Can Candan

Field Recording: We Do Not Accept!

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Making a Production: Meerkat Media

By A.E. Hunt

Making a Production: Meerkat Media

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