Featured Articles
A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)
By Robert Bahar
“C” is for Censorship: PBS Cuts ‘Art Spiegelman’ Doc and Other Dubious Acts at Embattled Broadcaster
By Anthony Kaufman
Legal FAQ: AI Tips for U.S. Documentary Filmmakers
By Dale Nelson
“We Do Need Art in Order to Reach Each Other”: Tatyana Tenenbaum Reconfigures Choreographer Hadar Ahuvia’s Dance in ‘Everything You Have Is Yours’
By Carly Mattox
The Web 2.0 world opens up ingenious ways to hybridize the old and the new. In this issue, we check in about the opportunities and implications of this e-terrain.
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