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Retaining an Eclectic Range: Emma Hindley Discusses BBC's Storyville

By Carol Nahra

Retaining an Eclectic Range: Emma Hindley Discusses BBC's Storyville

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“We Can Dream Really Far Away”: Morzaniel Ɨramari Discusses ‘Mãri Hi - The Tree of Dream’

By Aron Penczu

“We Can Dream Really Far Away”: Morzaniel Ɨramari Discusses ‘Mãri Hi - The Tree of Dream’

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Documentary Plays With Our Blind Spots: The Transcendent Cinema of Natalia Almada

By Mariana Sanson

Documentary Plays With Our Blind Spots: The Transcendent Cinema of Natalia Almada

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Between Silences and Memory: Spotlighting Three Central American Documentary Directors

By Laura Bermúdez

Between Silences and Memory: Spotlighting Three Central American Documentary Directors

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“We Are Grounded Here”: DC/DOX’s Inaugural Edition Goes Live

By Coley Gray

“We Are Grounded Here”: DC/DOX’s Inaugural Edition Goes Live

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Visions du Réel 2023: Centering Creative Risks

By Carol Nahra

Visions du Réel 2023: Centering Creative Risks

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How to Discover Rights-Free Materials For Your Film: Two Examples

By Bonnie Rowan

How to Discover Rights-Free Materials For Your Film: Two Examples

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Domitable Myth: Three Depictions of Japanese Holdout Soldier Hiroo Onoda

By A.E. Hunt

Domitable Myth: Three Depictions of Japanese Holdout Soldier Hiroo Onoda

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Right to a Name: Valentina Cicogna, Mattia Colombo, and Protagonist Cristina Cattaneo Discuss ‘Pure Unknown’

By Vladan Petković

Right to a Name: Valentina Cicogna, Mattia Colombo, and Protagonist Cristina Cattaneo Discuss ‘Pure Unknown’

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Reinscribing Violence: Emil Langballe and Lukasz Konopa’s ‘Theatre of Violence’

By Vladan Petković

Reinscribing Violence: Emil Langballe and Lukasz Konopa’s ‘Theatre of Violence’

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First Look 2023: The Ties That Bind

By Sevara Pan

First Look 2023: The Ties That Bind

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Compensation and Transfiguration: Alison O’Daniel’s 'The Tuba Thieves'

By Jordan Lord

Compensation and Transfiguration: Alison O’Daniel’s 'The Tuba Thieves'

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