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A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

By Robert Bahar

A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

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IDFA 2024: What We Owe

By Nicolas Rapold

IDFA 2024: What We Owe

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Agony and Ecstasy: The Bullfight in Albert Serra’s ‘Afternoons of Solitude’

By Carly Mattox

Agony and Ecstasy: The Bullfight in Albert Serra’s ‘Afternoons of Solitude’

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What’s in My Bag: Victor Tadashi Suárez

By Victor Tadashi Suárez

What’s in My Bag: Victor Tadashi Suárez

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Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’

By Nicolas Rapold

Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’

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Paul Leduc’s Alphabet: Notes on a Retrospective at Doclisboa 2024

By Victor Guimarães

Paul Leduc’s Alphabet: Notes on a Retrospective at Doclisboa 2024

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The Only Path Forward: ‘No Other Land’

By Mackenzie Lukenbill

The Only Path Forward: ‘No Other Land’

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“Chronic Dissidence”: IDFA Artistic Director Orwa Nyrabia on the Revolutionary Films of Sara Gómez (Spotlight on Cuba)

By Rachel Pronger

“Chronic Dissidence”: IDFA Artistic Director Orwa Nyrabia on the Revolutionary Films of Sara Gómez (Spotlight on Cuba)

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Crimes of Opportunity: Luuk Bouwman on His Portrait of a Nazi Official, ‘The Propagandist’

By Nicolas Rapold

Crimes of Opportunity: Luuk Bouwman on His Portrait of a Nazi Official, ‘The Propagandist’

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“Just Breathing Is Enough”: Shiori Ito on Culture Shock, ‘Black Box Diaries’, and Skinny Dipping

By Natalia Keogan

“Just Breathing Is Enough”: Shiori Ito on Culture Shock, ‘Black Box Diaries’, and Skinny Dipping

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How Short Production Timelines Ruin Documentaries

By Scarlett Harris

How Short Production Timelines Ruin Documentaries

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“The Tree Can Still Bear Fruit”: Laurie Townshend Discusses Her Staceyann Chin Doc ‘A Mother Apart’

By Tayler Montague

“The Tree Can Still Bear Fruit”: Laurie Townshend Discusses Her Staceyann Chin Doc ‘A Mother Apart’

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